Fighting Laryngitis- Can it be done? Yes! In this documentary, I show you how I contracted Laryngitis and how I beat it and you can too!
I wrote a book called, How to Sing When You Are Sick. In that book, I write about the tools and methods you can use to get your voice back in working shape for an upcoming show. I state in the very beginning of the book however, that I can’t help 2 things:
1. If you’re on your death bed and just can’t get out of bed, then no…most likely nothing can help you in time for the show.
2. Curing Laryngitis. If you have it, these methods won’t help.
Well, I had a couple of shows coming up and woke up with Laryngitis one morning. What did I do??? I used the methods in my book and tried some other aggressive things to cure myself and I did!!!
I recorded my process and documented everything along the way, including all the mistakes I made. So, my hope is that this video will not only get your voice back faster, it will also help you avoid my mistakes!
Here are the links to the products and videos I mention in the video:
Finding a cure for laryngitis may not be a sure thing, but as you’ve seen in this video, with the right products and methods, you can remedy a:
Friends, I hope you liked this video and I have helped out in some way. If you are sick, I wish you a speedy recovery and a great show! Please subscribe to my channel and share this with anyone who has laryngitis. See you next week!
Have you ever tried singing in your mix? Are you not sure what it is or why it’s so important? In this very detailed video, I answer these questions and many more where the mix is concerned.
The song, “Soaked” by Adam Lambert is a perfect song to demonstrate the mix in action. It’s a great song and challenging too. I hope with this performance and with my coaching will help you find your own mix.
If you are more of a beginner or need to brush up on some other techniques mentioned in this video, I provided other videos I did on various vocal topics. Feel free to click on them below and start improving today!
Adele is one of the most well recognized, pop music singers in the world! Yes, she is a fantastic singer, but she also has a very unique sound so that when you hear one of her songs on the radio, you know it’s her! In this breakdown I’ve boiled it down to her top 4 vocal techniques she uses often and then I teach you how to do them so you can use them as well. The 4 vocal techniques are…
This album is a dual disc CD with 23 amazing tracks! A portion of the proceeds go back into the Long Island music program, so thank you in advance for your purchase.
I’d like to thank Dan Welsch, Chris Slater, Chris Schmidt, Chris Trentacosta (pretty much anyone named, Chris), and Patrick Sherrard. If you are a singer/songwriter, musician or anyone in need of a high quality recording, you have to check out Suffolk Recording Studio’s. Click link below to check out their site. Tell them Michael sent ya 😉
Thank you to all the singers for putting your talent on display, to the parents for all your trust, and to the additional, talented musicians especially, Chris Schmidt (played guitar on Sweet Dreams) and Chris Trentacosta (played guitar on Give Me Love).
Additional Singers not featured in this video but on all over the album: Taylor Carpenzano, Gillian Gold, Kaitlyn Poli, Emma Jane, and Maddy Colombo.
This song was originally written for my beautiful and multi-talented friend, Danielle Sepulveres for her short film, Actually, Love. Since that time, I’ve had gotten so many people telling me how much they love this song and what it means to them.
Some have told me they go for their morning run with this song blaring in their headphones, while other’s tell me they had it on repeat while going through a tough time. I was so moved by this that I wanted to make a music video to reach more people and hope it can connect with even more people and potentially help them as well.
This music video is certainly up to interpretation and I’d love to hear about it in the comment section below. I hope you enjoy!
I would be remiss if I didn’t thank my brilliant friend, Patrick Sherrard for helping me create this video. Thank you for always having my back and for pushing me to do what I NEED to get done, creatively.
The week that this video goes live will mark the 4 year anniversary of Cory’s passing. I always like to celebrate his work and him as a person. I hope you all enjoy this year’s tribute music video.
Unlike, the past music video’s I did, this year I am not playing Finn as a character. Instead, Finn is in the video with me.
As Cory fans, we all miss him deeply. I wish I met him. In the past tribute videos, some fans got upset that I created tribute music videos. I never want to offend fellow fans. That is never my intention. We all express his loss differently. This is my way. I hope you enjoy.
It was very difficult to play with the audio mix – extracting Cory’s voice at some points while I sang lead. My favorite thing to do was to sing harmony with him. All the voices on the track and in this video is Cory’s or mine.
If anyone is interested in how I was able to record with him or is curious about the challenges that arose during the creation process, comment below or message me. I’ll happily explain.
A huge thanks to Doug and Sherry Kretch and the entire parish at Center Moriches United Methodist Church. And a special thanks to Patrick Sherrard, from Echo Light Productions, who helped me make this video the best it could be.
Hello and welcome back to my channel. This week, I am reviewing Vic Firth Ear Plugs. This video was made after many subscribers had asked me if I knew of or ever tried this brand out. Since I never did, I decided to purchase them and give them a try. Watch video to see my very detailed review.
If you missed my other video where I review Etymotics and other brands of ear plugs, click here.
Here I did a video on Dubs Acoustic Filters. If you are still unsure about which ear plugs to get, give this one a watch by clicking here.
For all the non-musicians among you, You might like the disposable kind, you can click here.
If you have any questions or comments to add, please do so below.
I am here to help. If there’s a certain review or topic you’d like me to cover, let me know.
Ahhhhh, Delayed Gratification. It’s used in many different ways. Today we are discussing it and how it creates chart topping Billboard Hits!
Delaying the Tonic
Remember that one kid back in the junior high choir room who would run over to the piano and play all the notes in a C Major scale except for last note and then he’d walk away from the piano? You would sit there and wait and wait until finally you or SOMEONE just had to run over to the piano and hit the final note completing the scale. Yeah, that guy? Well, that guy was me.
But what exactly was it about what I did that drove every in the choir room crazy and made someone complete it? Was it because they had OCD? No. Was it because we were all music theory nerds? No…well maybe. It was because our ears are so used to hearing The One ,a.k.a. ‘The Tonic’, of the completed scale. Scales are supposed to play full circle and when they are not, it can bother our musical ears. It doesn’t mean we have to even be a musician to be frustrated by this. Our society is so emerged in music that it follows a sonic pattern. When left unfulfilled, it can leave us with an unsettling feeling.
If you haven’t guessed it, today’s topic is Delayed Gratification or Delaying the Tonic. I’m going to show you how you can incorporate it into your songwriting to add a lot more interest and make it sound much more commercial which is good news if you are trying to write the next big hit.
You don’t have to be a music theory whiz to understand the concept of delayed gratification. If you understand chord progressions, then you should be able to apply what you learn in this blog.
Delayed Gratification is arranging the chord progression around the tonic or the ONE chord. Starting and ending a song with the ONE chord is expected and very common. To start a song on another chord creates a different sound to the ear and creates some excitement and interest for the listener. Because the ear is programmed to seek out the ONE chord (subconsciously), we are compelled to listen deeper to the songs that delay playing the ONE chord.
Delayed gratification has been used for decades all the way back to at least the 60’s. The Beatles used this in many of their songs. They just rearranged the typical chord progressions of the time which made their songs even more appealing than they already were. Songs like, Eleanor Rigby, All My Loving, and Hello Goodbye are examples of this.
That is a big part of what today’s songwriting tactic is. So many artists and bands are using them today. For you, this is great news. Since this chord arrangement is used in some of today’s biggest hits, you too can arrange your songs that delay the tonic and hold the listener’s interest longer.
Some of today’s biggest hits use this method. Check out these songs:
1. Sia – “Elastic Heart” – key of F#m (chord prog – D, A, E, F#m).
Elastic Heart is in the key of F#m but the chord progression starts on a D, goes to an A, and E and finally lands on a F#m.
2. Rhianna – “Diamonds” – key of Bm (Chord prog – G, Bm, A).
Rhianna’s Diamonds is in the key of Bm but starts on a G, then Bm, then A.
3. Taylor Swift – “Wildest Dreams” – key of Ab (chord prog – Db, Fm, Eb) for verse. The chorus finally hits the tonic (Ab, Eb, Bbm, Db). This is a long time to delay the ONE chord. It builds the listener’s anticipation and when the really “catchy” chorus comes in, it starts on the Tonic. Ah, finally some resolution!
4. Justin Bieber – “Sorry” – key of Eb (chord prog – Ab, Cm, Bb, Fm, Ab, Bb). This song NEVER, EVER, HITS TONIC! What? How can this be? Well, the answer to this question goes in a bit deeper to music theory or at least you need to know your key signatures. If you don’t, just trust me and watch the video I associated with this blog. I play the example songs. If you happen to know your key signatures, you can match up the melody. Justin sings to the notes in the key of Eb and not any other key.
Now that you have read (and hopefully watched and heard) my examples, you now know about delayed gratification in music and songwriting. How can you incorporate this method into your songs? My advice is to play around with it. See what works and what sounds good. You never know, you might just write the next big hit.
I look forward to reading all of your comments, questions, and methods of your own.
Until next week my musician friends, keep on playing!